Proceedings of the International Conference on Adaptive Reuse. Volume 1
Title
Reframing Heritage Hans Hollein’s Transformation of a Mansion into a Museum
Author(s)
Marziyeh Bazyar
Affiliation
Technical University of Munich
DOI
https://doi.org/10.65686/DYJA3826
Keywords
Adaptive Reuse, Hans Hollein, Museum of Glass and Ceramics
PP
145-150
How to Cite
Bazyar, Marziyeh. “Reframing Heritage Hans Hollein’s Transformation of a Mansion into a Museum.” In Proceedings of the International Conference on Adaptive Reuse. Volume 1, edited by Andrea Crudeli, Francesca Molle, and Emanuele Carrai, 145–150. Firenze: STH Press, 2026.
Abstract
This paper examines the adaptive reuse of Tehran’s Qavam House, a Qajar-era mansion, into the Museum of Glass and Ceramics (Abguineh), designed by Austrian architect Hans Hollein in the late 1970s. By employing modern materials, lighting systems, and exhibition technologies within a self-contained spatial framework, Hollein created a reversible, non-invasive system of reuse that respects the historical fabric while engaging modern design principles. While the project was initially described as remodelling, conservation, or restoration, it represents a distinct approach to adaptive reuse, striking a balance between preservation and innovation. Through archival research, site analysis, and critical evaluation of Hollein’s strategies, this paper explores the process of designing the museum and situates it within broader debates on adaptive reuse, demonstrating how interventions can allow historical structures to accommodate new functions. In addition, it discusses the tensions that emerge when modern design approaches risk overshadowing the lived memories and identities of the original building.
Edited by
Andrea Crudeli
Francesca Molle
Emanuele Carrai
Publisher
STH Press, Firenze
ISBN Paperback – 9791281661141
ISBN Ebook – 9791281661158
DOI – https://doi.org/10.65686/SISY7263
Year
2026
Proceedings of
International Conference on Adaptive Reuse
hosted by The University of Pisa, Italy
15-19 September 2025, at the Gispoteca di Arte Antica dell’Università di Pisa.