Proceedings of the International Conference on Adaptive Reuse. Volume 1
Title
Adaptive Reuse as a Cultural Strategy: The Case of Cinema Bologna in Rome
Author(s)
Tommaso Berretta
Affiliation
Dipartimento di Pianificazione, Design e Tecnologia dell’Architettura, Università La Sapienza
DOI
https://doi.org/10.65686/KAUV7339
Keywords
Modern Heritage, Urban Regeneration, Public City
PP
166-174
How to Cite
Berretta, Tommaso. “Adaptive Reuse as a Cultural Strategy: The Case of Cinema Bologna in Rome.” In Proceedings of the International Conference on Adaptive Reuse. Volume 1, edited by Andrea Crudeli, Francesca Molle, and Emanuele Carrai, 166-174. Firenze: STH Press, 2026.
Abstract
The paper explores the relations between urban regeneration, heritage and adaptive reuse (AR) as mediation process between protection, transformation and the construction of a collective meaning. In the Italian context dealing with heritage often implies a dual condition: on one hand, the bureaucratic stiffness that transforms protection into a constraint; on the other, the European vision of heritage as a shared and productive resource for inclusive growth and urban quality. This conflict results in a condition of stasis, where the city’s transformation is hindered by the commodification of history and the loss of architecture’s active role. Within this framework, adaptive reuse emerges as a cultural and strategic practice, no longer merely an environmental response, but a design approach that reinterprets the relationship between material heritage and present day needs. Through the case study of ExtraLibera – the regeneration of Riccardo Morandi’s former Cinema Bologna in Rome – the paper investigates how adaptive reuse can act as a tool to reconnect the physical and social dimensions of heritage. The project, promoted by Libera and designed by Berretta Architetti Associati, transforms a degraded modern structure into a cultural hub through a process of adaptation and reuse based on subtraction, adaptation, and social re-appropriation. Architecture operates together with the immaterial actions to reconstruct an identity, turning decay into a design resource. AR, understood as a cultural process, enables a dynamic interpretation of heritage, one that integrates historical, spatial, and social values into a forward-looking urban vision. Rather than opposing preservation and transformation, AR is the framework within which the evolutionary character of urban landscape is recovered in an inclusive and context sensitive regeneration.
Edited by
Andrea Crudeli
Francesca Molle
Emanuele Carrai
Publisher
STH Press, Firenze
ISBN Paperback – 9791281661141
ISBN Ebook – 9791281661158
DOI – https://doi.org/10.65686/SISY7263
Year
2026
Proceedings of
International Conference on Adaptive Reuse
hosted by The University of Pisa, Italy
15-19 September 2025, at the Gispoteca di Arte Antica dell’Università di Pisa.